Fellini's Casanova 1976, directed by Federico Fellini.
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Founded in 1962, Film Comment magazine features reviews and analysis of mainstream, art-house, and avant-garde filmmaking from around the world.
In this provocative interdisciplinary essay, Joan B. Landes examines the impact on women of the emergence of a new, bourgeois organization of public life in the eighteenth century. She focuses on France, contrasting the role and representation of women under the Old Regime with their status during and after the Revolution. Basing her work on a wide reading of current historical scholarship.
One midterm paper and a final test (essay questions) covering the entire program Oral presentations Grading System: Participation 20% Oral Presentations 20% Mid-term exam 25% Final Exam 35% Course description In this course we will focus on the presence of women as protagonists, symbolic figures, and filmmakers in Italian cinema. We will be studying how the image of women has changed in.
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Neorealism will serve as a starting point for an analysis of Fellini’s postmodern negotiation of autobiographical surrealism as well as Antonioni’s peculiar reframing of cinematic modernism. This course will analyze Antonioni and Fellini’s most important films, placing their work in (film) historical contexts, and theorizing their interest in the aesthetics of cinematic representation.
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